Review: “On Strike for Christmas” (2010)

Fancy banner done in a navy ground. On either side, Hollywood red curtains tied back with pearl-white cords. In the center of the banner are four gold-navy-&-red art deco-styled brackets framing out the words “Books by Alicia Presents” (in gold), an art deco element beneath, then “Christmas Romance Reviews” (in pearl white).
Basic banner of navy ground and very light gold art-deco brackets in the upper left and bottom right corners. In bolded pearl white, a movie title is written. This one says, “On Strike for Christmas.” Beneath it, in gold, is the date (2010) the movie came out sandwiched between two gold art deco elements.

~ When Mom Goes on Strike, Everyone Learns Hard Lessons ~

Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “Movie Details” that are sandwiched between gold art-deco elements.
  • Daphne Zuniga as “Joy Robertson”

  • David Sutcliffe as “Stephen Robertson”

  • Julia Duffy as “Erna”

  • Evan Williams as “Mark Robertson”

  • Victor Zinck Jr. as “Jeremy Robertson”

  • Chelah Horsdal as “Sharon”

  • Location: Santa Cruz, California

  • Platform: Tubi

  • Date: April 8, 2025

Classic Cinema Scale: Fancy banner with a thick gold border. In the center, in Hollywood red, the words, “Classic Cinema Scale.” Beneath it, three film reels—the top in gold, middle in silver, bottom in bronze. Each has words done in navy. For the gold reel, “Golden Age Worthy: Exceptional performances, chemistry, and production that capture the magic of classic Hollywood.” For the silver, “Matinee Material: Good entertainment with solid elements, though not quite reaching classic status.” And the bronze, “B-Movie Blues: Missing the mark despite potential.”
  • B-Movie BluesNeither romance nor comedy, despite apparent attempts at both

Tissue Box Scale: Fancy banner with a thick gold border. In the center, in Hollywood red, the words, “Tissue Box Scale.” Beneath it, a column of tissue boxes, all in red, gold, and navy—the top is a single box, middle is two, bottom is three. Each has words done in navy. For the single box, “One Box: Keep a tissue handy, but your makeup is safe.” For the duo, “Two Boxes: You’ll definitely need those tissues, but you’ll still be presentable after.” And the trio, “Three Boxes: “Is pepperoni okay?” territory — don’t even bother with mascara!”
  • Zero boxesNo tears necessary for this one

Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “First Impression” that are sandwiched between gold art-deco elements.

When a movie description mentions women organizing a protest against their families, my feminist-radar starts beeping warnings.

As someone decidedly NOT part of the “I am woman, hear me roar” crowd, I approached this with healthy skepticism.

However, I usually like Daphne Zuniga’s performances, and the movies she does are generally good, so I decided to give this one a try.

Gold-framed banner with Art Deco brackets in top corners. The banner reads: “Reality Check: While Joy mentions Santa Cruz, California (home of the Santa Cruz Beach Boardwalk), the film was actually shot in Abbotsford and Langley, British Columbia, Canada.”
Gold-framed banner with Art Deco brackets in top corners. The banner reads: “Classic Connection: This premise could’ve worked in Golden Age Hollywood – imagine Cary Grant and Irene Dunne, or Rock Hudson and Doris Day with Thelma Ritter as the voice-of-reason mother. Those stars knew how to balance comedy with genuine character growth.”
Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “The Chemistry Test” that are sandwiched between gold art-deco elements.

The cast works together competently enough, though nothing stands out as particularly memorable.

The one unbearable character is Rosemary the reporter — truly annoying in ways that feel intentional.

The stay-at-home mom of two veers into overdone territory occasionally, but most performances remain solidly middle-of-the-road.

Gold-framed banner with Art Deco quote marks in top left and bottom right corners, done in red, shadowed in navy blue. The banner reads: “ 'What makes Christmas perfect isn't what we do, it's our love for each other. And it should bring us closer, not split us apart' — Joy finally grasps what should've been obvious from the start.”
Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “Behind the Scenes” that are sandwiched between gold art-deco elements.

Basic decorations throughout, and since the men handle the holiday prep during Joy’s strike, everything looks minimal and sparse — which actually makes sense given the story.

Subsection Header: Basic banner with a pearl-white ground. In the center, in Hollywood red, are the words, “Wardrobe & Styling” that are sandwiched between gold-&-red art-deco elements.

Daphne Zuniga wears some genuinely cute skirts and boots throughout, with an overall nice wardrobe.

The rest of the cast sticks to basic jeans, sweaters, and scarves appropriate for a Bay Area Christmas.

Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “The Romance Formula” that are sandwiched between gold art-deco elements.

This isn’t a romance — it’s a family story about an overwhelmed mother who goes on strike against her ungrateful husband and twin sons.

Joy organizes a holiday protest that spreads to other women in town, forcing everyone to confront their assumptions about family roles and responsibilities.

Here’s my issue: Joy has had 18 YEARS to train her boys properly. Eighteen years to raise them into the considerate, helpful men she now demands they become. And if her husband didn’t learn these lessons from his own mother, she had nearly two decades to expose him to proper “husbandry” alongside the boys.

The Bible says to “train up a child in the way he should go,” and there’s wisdom in that instruction.

You don’t wait until they’re eighteen and heading to college in six months to START teaching them. That ship has sailed.

Are the husband and sons taking advantage of her? Absolutely. One hundred percent. But whose fault is that? She ALLOWED their dependence year after year. She ENJOYED being needed to that extent. And now, suddenly overwhelmed, she blames THEM for the dynamic SHE created?

This is the fundamental flaw in the feminist “men are inherently sexist pigs” narrative this movie pushes.

Personal responsibility matters.

You can’t create a problem through years of enabling behavior and then act shocked when people behave exactly as you’ve trained them to.

Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “The First Kiss” that are sandwiched between gold art-deco elements.

Since this wasn’t a romance, there was no “first kiss.”

Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “Christian Corner” that are sandwiched between gold art-deco elements.

Rated TV-14 for light swearing like “jackass.”

Otherwise family-appropriate, though the underlying feminist messaging may grate on viewers who believe in personal accountability.

Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “Final Cut” that are sandwiched between gold art-deco elements.

To the film’s credit, Julia Duffy’s character (Joy’s mother) serves as the voice of reason, pointing out Joy’s own errors alongside the family’s shortcomings.

This prevents the movie from becoming a complete “men are terrible” screed, even if it doesn’t go far enough in acknowledging Joy’s responsibility for creating this mess.

And here’s another thing: When you declare a strike and tell everyone you’re not doing anything anymore, you don’t then get to critique HOW they handle things.

If they hire caterers, shop online for gifts, or send e-cards instead of hand-written notes — that’s their choice. You abdicated control, remember?

Subsection Header: Basic banner with a pearl-white ground. In the center, in Hollywood red, is the words, “Highlights” that’s sandwiched between gold-&-red art-deco elements.
  • Julia Duffy as the voice of reason

  • Daphne Zuniga’s wardrobe choices

  • Eventually acknowledges Joy’s mistakes

  • Competent acting throughout

Subsection Header: Basic banner with a pearl-white ground. In the center, in Hollywood red, is the word, “Lowlights” that’ sandwiched between gold-&-red art-deco elements.
  • Heavy feminist “blame the men” messaging

  • Ignores maternal responsibility for family dynamics

  • Not particularly funny despite comedy attempts

  • Rosemary the reporter character

  • Rewards enabling behavior with sympathy

Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “Personal Notes” that are sandwiched between gold art-deco elements.

I found myself siding with the men throughout this battle-of-the-sexes tale, which probably tells you everything you need to know about my perspective.

This isn’t one I’ll ever watch again.

My critique has nothing to do with the actors — as I said, I generally like Daphne Zuniga.

This is purely about the message, which fundamentally misunderstands how family dynamics work and who bears responsibility for creating them.

If you enjoy feminist takes on Christmas where men are portrayed as inherently thoughtless and women as perpetual victims of male negligence, this might work for you.

If you believe parents bear responsibility (even if just partial responsibility) for the adults their children become, you’ll likely share my frustration.

Have you watched this family holiday film? Share your thoughts on personal responsibility, parenting consequences, and who’s really at fault when family dynamics go wrong in the comments below!

Related topics: Christmas family movies, holiday family films, parenting stories, family dynamics, Christmas movies 2010, Daphne Zuniga movies, battle of the sexes, holiday drama, feminist Christmas films, family responsibility

This review is part of “BBA’s 12 Days of Christmas Movie Reviews” series. Check back daily for a new review!

Love Christmas movies? Don’t miss a single review! Sign up for my newsletter (below 👇) to get notifications of new posts and exclusive holiday movie insights!

Color photo of me, Alicia, authoress and writer of this blog. Because these specific posts are all about Christmas romance movies, I enhanced my photo with a Santa hat and with a bough of holly bracketing the bottom right. In the center of the holly bough are two candy canes crossed like lovers in a romantic embrace. (See what I did there? 😊)

Alicia Strickland

As a romance novelist with expertise in fashion, interior design, and a deep love of classic Hollywood, I bring a unique perspective to holiday romance reviews. Join me in exploring the magic (and occasional missteps) of Christmas movies!

Alicia Strickland

Hi! I write across multiple genres under various pen names. But for nonfiction, I write as myself. As a designer with a love of Old Hollywood and all things creative, I bring diverse perspectives to my storytelling... and to my blog. In the unlikely event that I’m not writing, I enjoy crafting, gardening, or spending time with my flame-point Siamese, Hunter.

Want to stay updated? Sign up for my newsletter(below 👇) to receive exclusive content and be the first to hear about new releases!

Logo for A.J. Strickland novels. At the center of the logo is a blue circle. There's a woman sitting on the bottom of the circle, her knees bent so she can prop up the book she's reading. She's wearing a red sweater, black leggings, and brown boots. Her hair is long and brown. Around the circle is written, "Contemporary Romance." Under the circle are the words, "A.J. Strickland."

Crafting passionate tales for adult hearts and creating magical worlds for young minds!

Stay in touch!

Click “subscribe” to get weekly newsletter updates on all BBA news and books.

©️ 2025 booksbyalicia.com