Review: “Small-Town Santa” (2014)

Fancy banner done in a navy ground. On either side, Hollywood red curtains tied back with pearl-white cords. In the center of the banner are four gold-navy-&-red art deco-styled brackets framing out the words “Books by Alicia Presents” (in gold), an art deco element beneath, then “Christmas Romance Reviews” (in pearl white).
Basic banner of navy ground and very light gold art-deco brackets in the upper left and bottom right corners. In bolded pearl white, a movie title is written. This one says, “A Puppy for Christmas.” Beneath it, in gold, is the date (2016) the movie came out sandwiched between two gold art deco elements.

~ When Good Intentions Meet Inane Execution ~

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  • Dean Cain as “Sheriff Rick Langston”

  • Christine Lakin as “Lucy Hart”

  • Joel Paul Reisig as “Deputy Tom”

  • Linda Boston as “Deputy Shirley”

  • Paul Hopper as “Santa Claus”

  • Mark Boyd as “Rainer”

  • Location: Rockford, Michigan

  • Platform: Tubi

  • Date: February 15, 2025

Classic Cinema Scale: Fancy banner with a thick gold border. In the center, in Hollywood red, the words, “Classic Cinema Scale.” Beneath it, three film reels—the top in gold, middle in silver, bottom in bronze. Each has words done in navy. For the gold reel, “Golden Age Worthy: Exceptional performances, chemistry, and production that capture the magic of classic Hollywood.” For the silver, “Matinee Material: Good entertainment with solid elements, though not quite reaching classic status.” And the bronze, “B-Movie Blues: Missing the mark despite potential.”
  • B-Movie BluesSadly, even Dean Cain can’t save this one from its own script

Tissue Box Scale: Fancy banner with a thick gold border. In the center, in Hollywood red, the words, “Tissue Box Scale.” Beneath it, a column of tissue boxes, all in red, gold, and navy—the top is a single box, middle is two, bottom is three. Each has words done in navy. For the single box, “One Box: Keep a tissue handy, but your makeup is safe.” For the duo, “Two Boxes: You’ll definitely need those tissues, but you’ll still be presentable after.” And the trio, “Three Boxes: “Is pepperoni okay?” territory — don’t even bother with mascara!”
  • Zero boxesNot a single tear to be found

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When you approach a Christmas movie featuring Dean Cain and Step by Step alum Christine Lakin, you hope for at least some holiday charm.

Unfortunately, those hopes start rolling downhill faster than a runaway sleigh the moment Santa appears in the sheriff’s kitchen.

What’s particularly concerning is how the film’s attempt at whimsy gradually reveals itself as something more problematic — its depiction of faith and Believers.

Gold-framed banner with Art Deco brackets in top corners. The banner reads: “Classic Connection: There’s a marked difference between classic Hollywood ‘silly’ — think Danny Kaye’s delightful antics, Red Skelton’s masterful physical comedy, or even Cary Grant’s charming zaniness — and modern attempts at whimsy. This film unfortunately demonstrates how far we’ve strayed from those Golden Age standards of crafting genuine humor.”
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While Dean Cain and Christine Lakin show glimpses of potential, they’re fighting an uphill battle against a problematic script.

The remaining cast ranges from acceptable (Santa and the town drunk, Rainer) to cringe-worthy (particularly during the church scenes).

Even the typically reliable Cain can’t generate enough chemistry to overcome the material he’s working with.

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Nothing particularly stands out about the decorations or atmosphere.

Gold-framed banner with Art Deco brackets in top corners. The banner reads: “Reality Check: Shot in Rockford, Michigan, the film showcases this real small town, though it fails to capitalize on the location’s natural charm.”
Subsection Header: Basic banner with a pearl-white ground. In the center, in Hollywood red, are the words, “Wardrobe & Styling” that are sandwiched between gold-&-red art-deco elements.

Basic jeans and sweaters populate the wardrobe department, suggesting either a limited costume budget or lack of creative vision — possibly both.

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The setup feels forced rather than following any coherent formula.

Santa’s prophecy about love falling at Rick’s feet leads to an almost immediate literal fall by Lucy, followed by an inappropriately timed kiss mere hours later.

Gold-framed banner with oversized Art Deco quotation marks in the upper left and lower right, done in a bold Hollywood red. In between the quote marks is the quote and attribution: “A job gives a man hope. And hope makes him a better man. And a better man, a better father. And a better father, a better family. And a better family, a better world” — Santa delivers this line in what might be the script’s only moment of genuine wisdom.
Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “The First Kiss” that are sandwiched between gold art-deco elements.

While technically well-executed, the timing makes little sense.

Meeting someone and kissing them within hours might work in some holiday romances, but here it just adds to the overall feeling of hasty, underdeveloped storytelling.

Section Header: Basic banner with a pearl-white ground. In the center, in navy, are the words, “Christian Corner” that are sandwiched between gold art-deco elements.

While there’s nothing overtly offensive, the handling of faith elements raises eyebrows as well as serious concerns.

The preacher’s claim that “God never laughs” not only contradicts Scripture (Psalm 2:4 and 37:13 clearly show God’s laughter, albeit at the folly of the wicked), but also ignores Solomon’s God-given wisdom about laughter being “good medicine” (Proverbs 17:22).

And anyone who’s spent time with God knows He has an excellent sense of humor!

This fundamental misunderstanding of God’s Nature, combined with the awkward “I found Jesus!” church scene and the Christmas pageant’s cow episode, makes the film’s attempt to balance Santa with Christian themes feel less like respectful inclusion and more like thinly veiled mockery packaged as faith-friendly entertainment.

In short, every faith element feels designed to generate laughs at Believers’ expense rather than with them.

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What begins as a promising premise — a jaded sheriff arresting Santa on Christmas Eve — devolves into an exercise in eye-rolling endurance.

I’d be interested in seeing Christine Lakin in a better-written Christmas romance, but this particular holiday offering fails to deliver on any level.

While the film presents itself as faith friendly, its portrayal is really a caricature of Christianity.

Subsection Header: Basic banner with a pearl-white ground. In the center, in Hollywood red, is the words, “Highlights” that’s sandwiched between gold-&-red art-deco elements.
  • Dean Cain and Christine Lakin trying their best

  • Santa and Rainer adding genuine levity

  • The basic premise had potential

Subsection Header: Basic banner with a pearl-white ground. In the center, in Hollywood red, is the word, “Lowlights” that’ sandwiched between gold-&-red art-deco elements.
  • Script degenerates after Santa’s arrival

  • Debatable portrayal of Christianity that borders on mockery

  • Awkward pacing and character development

  • That Christmas-pageant-cow-costume scene

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When you find yourself rolling your eyes through approximately 75 minutes of a 90-minute movie, something has gone seriously wrong.

While I appreciate the attempt to create holiday magic, this film demonstrates that good intentions (and known actors) aren’t enough — you need a solid script, coherent direction, and better execution to make Christmas movie magic happen.

Most concerning is how the film’s treatment of faith feels less like well-intentioned missteps and more like deliberate ridicule dressed up as a family production.

Whether this was the filmmaker’s intent or not, the result makes Christians and their beliefs look foolish rather than faithful.

Have you watched this movie? Share your thoughts on what makes the difference between charming Christmas silly and just plain inane in the comments below!

Related topics: Christmas romance, holiday movies, classic Hollywood, fashion in film, romantic comedy, seasonal entertainment

This review was the final installment of “BBA’s Christmas in July Romance Reviews Week” series. Check back in December for a new round of “BBA’s 12 Days of Christmas Movie Reviews”!

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Color photo of me, Alicia, authoress and writer of this blog. Because these specific posts are all about Christmas romance movies, I enhanced my photo with a Santa hat and with a bough of holly bracketing the bottom right. In the center of the holly bough are two candy canes crossed like lovers in a romantic embrace. (See what I did there? 😊)

Alicia Strickland

As a romance novelist with expertise in fashion, interior design, and a deep love of classic Hollywood, I bring a unique perspective to holiday romance reviews. Join me in exploring the magic (and occasional missteps) of Christmas movies!

Alicia Strickland

Hi! I write across multiple genres under various pen names. But for nonfiction, I write as myself. As a designer with a love of Old Hollywood and all things creative, I bring diverse perspectives to my storytelling... and to my blog. In the unlikely event that I’m not writing, I enjoy crafting, gardening, or spending time with my flame-point Siamese, Hunter.

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