Review: “A Puppy for Christmas” (2016)

While both Noelle and Todd maintain appropriately polished professional wardrobes, some choices raise eyebrows (such as wearing formal-looking jewelry to a farm!).

Liam’s more casual, hipster/athleisure attire suits his character, though his somewhat unkempt appearance might benefit from a bit more grooming.

(Hey! Don’t shoot the messenger! Noelle’s the one who said he “looks like he needs a bath.” But yes… I agree.)

The story hits familiar beats: workplace rivals, a breakup right before Christmas, and a sudden holiday homestay with a newly engaged coworker’s family.

While these tropes can work well, the pacing here raises concerns.

The Northern Lights provide a magical backdrop for the first kiss between Noelle and Liam. The simplicity of this moment works in their favor — sweet, natural, and well-executed by both actors, who clearly know how to make an on-screen kiss believable.

The second kiss, while not as poignant, is still sweet and somehow lends credibility to the notion that this romance will last.

Content considerations include cohabitation, implied overnight stays, and Helen’s “cougar” storyline complete with a young man in underwear.

While there’s no explicit content or language issues, some scenes and implications may not suit family viewing.

A Puppy for Christmas has its moments, particularly once it settles into the farm setting. The adorable dogs (both the Huskies and Cockapoo) add genuine charm, and some performances shine despite script limitations.

However, an uneven production quality and rushed romantic development hold it back from reaching its full potential.

While this won’t become an annual rewatch, it did manage to surprise me by being more enjoyable than expected.

Dog lovers will particularly appreciate the four-legged cast members. (I know I did. But I also had a Husky and want a Cockapoo (or Labradoodle)!)

However, the confusing finale with Todd’s “real girlfriend” feels like a missed opportunity for clearer storytelling.