Review: “It’s a Wonderful Life” (1946)

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Basic banner of navy ground and very light gold art-deco brackets in the upper left and bottom right corners. In bolded pearl white, a movie title is written. This one says, “The Real St. Nick.” Beneath it, in gold, is the date (2012) the movie came out sandwiched between two gold art deco elements.

~ The Timeless Classic That Proves Every Life Matters ~

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  • James Stewart as “George Bailey”

  • Donna Reed as “Mary Hatch Bailey”

  • Lionel Barrymore as “Henry F. Potter”

  • Henry Travers as “Clarence Oddbody, AS2”

  • Bobbie Anderson as “Young George”

  • Location: Bedford Falls, New York (Pottersville in the alternate reality)

  • Platform: Personal DVD

  • Date: December 17, 2025

Classic Cinema Scale: Fancy banner with a thick gold border. In the center, in Hollywood red, the words, “Classic Cinema Scale.” Beneath it, three film reels—the top in gold, middle in silver, bottom in bronze. Each has words done in navy. For the gold reel, “Golden Age Worthy: Exceptional performances, chemistry, and production that capture the magic of classic Hollywood.” For the silver, “Matinee Material: Good entertainment with solid elements, though not quite reaching classic status.” And the bronze, “B-Movie Blues: Missing the mark despite potential.”
  • Golden Age WorthyA classic for a reason: its message will NEVER cease to resonate

Tissue Box Scale: Fancy banner with a thick gold border. In the center, in Hollywood red, the words, “Tissue Box Scale.” Beneath it, a column of tissue boxes, all in red, gold, and navy—the top is a single box, middle is two, bottom is three. Each has words done in navy. For the single box, “One Box: Keep a tissue handy, but your makeup is safe.” For the duo, “Two Boxes: You’ll definitely need those tissues, but you’ll still be presentable after.” And the trio, “Three Boxes: “Is pepperoni okay?” territory — don’t even bother with mascara!”
  • Three BoxesThe tears start when Mr. Gower slaps Young George and then apologizes

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This isn’t really a romance — it’s primarily a drama with a feel-good ending, reminding us that we’re all richer than we know.

Romance weaves through it, but the central theme is recognizing that everyone matters, even when you don’t feel like you do.

“I suppose it had been better if I’d never been born at all” — George’s despair speaks to anyone who’s ever felt insignificant.

Gold-framed banner with Art Deco brackets in top corners. The banner reads: “Reality Check: Pine Rive doesn't appear to be a real California location, though there is a place called River Pines in Amador County, near Fiddletown.”
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A+ across the board. This is a classic for a reason - everyone gives their best, creating a truly heartwarming movie with heartwarming performances.

Do Donna Reed and Jimmy Stewart have romantic chemistry? Not particularly. But we’re talking the 1940s and a movie that’s not meant to be a mushy love story.

Young Mary does a wonderful job portraying a girl who’s gaga for an older boy (“I’ll love you till the day I die, George Bailey” - whispered in his bad ear so he can’t hear her pledge).

A side note: Everyone talks about the leads’ stellar performances, but I’ve never heard anyone mention how good Bobbie Anderson was as Young George. His role was short, but he did a wonderful job, especially in that heartbreaking scene with Mr. Gower.

Gold-framed banner with Art Deco quote marks in top left and bottom right corners, done in red and shadowed in navy blue. The banner reads: “ 'Snails are just slugs with a trust fund' — Kate’s observation about escargot provides one of the few genuine laughs in this unfortunate production.”
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The only real decorating scene comes at the end when George returns home to find Mary and the kids trimming the tree. It’s a lovely tree, and they do a beautiful job adding the tinsel — simple, authentic, and heartwarming.

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Edward Stevenson handled costumes. Mary Hatch wears what appears to be a chiffon dress when George comes calling, and a nice dress for Christmas, though I can’t determine colors or exact materials from the black-and-white format.

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While not primarily a romance, George and Mary do have a love story that follows the formula. He’s about four years older, and Mary was just a “stupid girl” to him… until he sees her at her high school graduation dance. She’s all grown up, and he likes what he sees.

Their eyes meet across the crowded dance floor at that graduation dance, and they’re drawn together — a timeless romantic moment.

After his father’s death and her time away at college separates them, they reunite. He acts uninterested, but Mary manages to change his mind.

Yet another timeless romantic moment.

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Multiple kisses as he showers her face before actually kissing her lips. It’s charming and perfectly captures the overwhelming emotion of that moment.

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Everyone knows this classic is A-OK for family viewing.

Some subject matter will go over kids’ heads (it certainly went over mine when little), but it contains timeless lessons children simply don’t get anywhere these days.

Plus, God is honored reverently — unlike His treatment in too many shows today.

But if you’re looking for sound doctrine, this isn’t your movie. Because humans aren’t fitted with angel wings.

Still, the one-time belief does make for comedy as well as give us the well-known final line by Zuzu: “Look, Daddy. Teacher says, ‘Every time a bell rings, and angel gets his wings.’ ”

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This movie never fails to deliver. I watch it every year (though I missed the last couple), and it never fails to make me cry good tears and leave me with a happy, hopeful feeling by the credits.

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  • James Stewart’s iconic performance as George Bailey
    Timeless message about the value of every life

  • Perfect balance of drama, heart, and hope

  • Lionel Barrymore’s deliciously hateable Potter

  • Henry Travers’s endearing Clarence

  • That beautiful tree-trimming finale

  • “Every time a bell rings…”

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  • None worth mentioning — it’s a masterpiece

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In Palo Alto, the Stanford Theater plays this movie on Christmas Eve — multiple showings, a tradition my mom and I loved. You’d find your seat (maybe grab old-fashioned popcorn), wait for the curtain to pull back, and experience magic.

The theater would buzz with chatter and laughter until the lights dimmed — then a hush fell over the crowd. The very notion that the movie was starting spellbound the entire theater!

But the absolute best part?

The camaraderie every time Potter appeared. Everyone would hiss and boo him!

The first time Mom and I went, we didn’t know to expect it. We were shocked, then utterly amused. Modern audiences so into this timeless classic that they jeered the villain as if he were real!

Man, I miss those days. I haven’t been back since Mom passed, but if Palo Alto still plays it, maybe I’ll make it back next year and join in booing the villain we all love to hate.

Also, I own this DVD with options for original black-and-white or colorized versions. I’m old-school about classics — you can’t watch this in color; it loses something in translation.

The message is what’s important with this movie, and black-and-white preserves its timeless soul.

Have you watched this Christmas masterpiece? Share your favorite moments, family traditions around this film, and whether you prefer black-and-white or colorized in the comments below!

Related topics: Classic Christmas movies • James Stewart films • Frank Capra • Golden Age Hollywood • 1940s cinema • timeless holiday classics • Bedford Falls • Christmas drama • faith-based films • seasonal entertainment

This review leads off tomorrow’s “BBA’s 12 Days of Christmas Movie Reviews” series. Check back daily for a new review!

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Color photo of me, Alicia, authoress and writer of this blog. Because these specific posts are all about Christmas romance movies, I enhanced my photo with a Santa hat and with a bough of holly bracketing the bottom right. In the center of the holly bough are two candy canes crossed like lovers in a romantic embrace. (See what I did there? 😊)

Alicia Strickland

As a romance novelist with expertise in fashion, interior design, and a deep love of classic Hollywood, I bring a unique perspective to holiday romance reviews. Join me in exploring the magic (and occasional missteps) of Christmas movies!

Alicia Strickland

Hi! I write across multiple genres under various pen names. But for nonfiction, I write as myself. As a designer with a love of Old Hollywood and all things creative, I bring diverse perspectives to my storytelling... and to my blog. In the unlikely event that I’m not writing, I enjoy crafting, gardening, or spending time with my flame-point Siamese, Hunter.

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